Warner Bros. Japan began streaming a second teaser trailer the live-action film of Hiromu Arakawa's Fullmetal Alchemist manga on Friday. The trailer shows young Edward and Alphonse's attempt to bring their mother back to life with alchemy, and then previews action scenes with the brothers as adults.
The official Twitter account for the live-action film of Hideaki Sorachi's Gintama manga revealed posters showing the main three cast members in costume on Monday. The posters reveal that the film is slated to open in summer 2017 in Japan.
Shun Oguri as Gintoki Sakata, the protagonist who runs the Yorozuya shop
Masaki Suda as Shinpachi Shimura, who works at Yorozuya
Kanna Hashimoto as Kagura, another Yorozuya employee
Indonesian cinema chain CGV Blitz announced on Wednesday that it will open Eiga Crayon Shin-chan Bakusui! Yumemi World Dai Totsugeki (Crayon Shin-chan: Fast Asleep! Dreaming World Big Assault!), the 24th film in the Crayon Shin-chan franchise, in October.
The film opened in Japan on April 16.
The film ranked #2 in the Japanese box office in its opening weekend, topped by Detective Conan: The Darkest Nightmare. Wataru Takahashi (Crayon Shin-chan films 17-23) returned to direct the new film, and comedian Hitori Gekidan (actor in Train Man, Fusé: Memoirs of a Huntress) wrote the film's script along with Takahashi. Voice actors Akiko Yajima (Shin-chan), Miki Narahashi (Misae Nohara), Keiji Fujiwara (Hiroshi Nohara), and Satomi Koorogi (Himawari) returned to voice characters in the film.
Elex Media publishes the original Crayon Shin-chan manga by Yoshito Usui in Indonesia. The television anime premiered in the country via RCTI in Indonesia. Trans7 also airs the anime. PT. Perdana IMMG Indonesia and Animation International Ltd. are the licensees for the broadcast rights for the anime in Indonesia.
Rurouni Kenshin Live-Action Movie Review by Ko Ransom Synopsis: Ten years after entering the Meiji period following the restoration of the imperial house, Japan has rapidly gone from a land of war and turmoil to one of burgeoning peace and modernity. One day, Himura Kenshin, a wandering swordsman with a disarming charm and an unusual sword with a reversed blade, comes across Kamiya Kaoru, a young woman who succeeded her father's school of sword fighting.
However, while growing modernity gives the new age a veneer of order, troubles both new and old plague Japan: Kaoru's school has recently lost its followers after a string of murders by an individual claiming to use techniques from the school, while the industrialist Takeda Kanryū plots to amass arms through profits brought in by a highly-addictive preparation of opium. Kenshin's dark past also continues to follow him, and he is forced to confront it when a chain of events beginning with an assault on Kaoru's dojo suddenly takes place one day. Review:
Nobuhiro Watsuki's Rurouni Kenshin manga occupies an interesting place in Shonen Jump's history, beginning its run during the magazine's "golden age" of peak circulation, then soon after becoming one of its flagship series during a relatively difficult period after the end of a number of major titles and a subsequent crash in sales. Ending a little over a decade ago, the Kenshin franchise seems to have been judged as just aged enough to revive across a number of mediums, the centerpiece of this revival being a blockbuster action movie backed by Warner Bros. and directed by Keishi Ōtomo, fresh off a successful stint on the samurai TV drama Ryomaden. Nearly everything about the movie, from the staff to its advertising copy ("Blazing a trail into the future of Japanese cinema," boasts one line), indicates that it is meant to be a blockbuster, and for the most part, it succeeds in this goal. The film's crew and cast have turned out a polished and entertaining action movie while staying reasonably faithful to Watsuki's manga. We see these blockbuster intentions from the first moments of the film, as it opens by throwing viewers into a chaotic, crowded battle set on the eve of the Meiji Restoration. Though the scene is mostly a prelude to the rest of the film, it does immediately establish its overall big-budget yet refreshingly CG-light feel. Fight scenes are a major part of the film, which features alternating drama-based and fight-scenes throughout a good part of its hefty over two-hour runtime. The fluid, exciting fights are put together by action director Kenji Tanigaki, the only Japanese member of the Hong Kong Stuntmen Association, making good use of the various weapons and techniques used by the film's characters. However, what may be the film's attempt at a blockbuster action style, with the occasional overly rapid cuts and mobile, unsteady camera, do serve to distract your attention more than anything else. Additionally, perhaps due to Tanigaki's background getting the best of him, the film does feature a few awkward moments of wire work, with characters making exaggerated, unnatural, and quite honestly silly-looking leaps that, while they may work in anime or manga, jolt the viewer out of whatever enjoyment they were getting from the scene up to that point. Though the film's visual style outside of these fight scenes is for the most part unremarkable, it does feature a number of scenes shot in memorable locations, including lush forests and preserved towns in rural Japan. Kenshin's narrative structure blends together different arcs and enemies of the original in a fairly seamless way, though the abundance of well-known characters as enemies does lead to a bit of a game-like midboss-final boss-true final boss layout toward the movie's conclusion. While the film's unifying theme of how people react to rapidly encroaching modernity is by no means a novel one to the world of samurai or western films, Kenshin's atonement-seeking character, physically manifested in the reverse-blade sword he carries, makes for a good romantic hero. Unfortunately, the large size of the film's cast of characters means that while many characters and their motivations are introduced, most of them are off the screen before the movie gets a chance to flesh out their personalities. The romantic triangle briefly set up between Kenshin, Kaoru, and Megumi is similarly thin, mostly acting to set up plot points later in the film, while the film's attempt at dramatic moments fall quite short of emotionally touching, though in an inoffensive way that is typical of blockbusters. The soundtrack has a similarly blockbuster-like feel, making heavy use of chorus and strings for a primarily orchestral, vaguely world music score, though pieces using traditional Japanese instruments do make the occasional appearance, generally in lighter-hearted scenes. As for the film's pop-punk theme song that jars the audience back to reality as it plays over the ending credits, it could be charitably described as "out of place." Despite some issues with weak characterization, the movie's cast is another one of its high points, bringing the original's characters to life in a faithful but convincing way. This applies to everyone from the top of the cast, such as Takeru Sato's endearing and boyishly handsome Kenshin, sporting the character's trademark scar and red hair in a noticeable but not ridiculous way, Emi Takei's spunky-yet-tough Kaoru, and Teruyuki Kagawa's evil and utterly annoying Kanryu Takeda, to its fun to watch supporting members, such as Munetaka Aoki's Sanosuke, with his brash, tough-guy attitude, to the multi-talented, inimitable Genki Sudo's devoutly Christian Inui Banjin. Of course, not everything comes through perfectly in adaptation—Kenshin's trademark "de gozaru"s when speaking take a bit of getting used to, while hearing Sato repeatedly say "oro" can start to feel downright embarrassing. Rurouni Kenshin sets out to be an accessible, crowd-pleasing hit for the end of summer, and it certainly has managed to do that. Its action scenes are fun but not too intense, its characters are appealing, and it presents a very polished product overall. While it won't let down most fans looking for a recreation of their beloved characters and scenes, it still works as a standalone movie, though it does do plenty to set up a likely sequel. While it's hard to believe that Kenshin will be the trailblazer its advertising makes it out to be, it's certainly a good way to spend a hot summer afternoon.
The official YouTube channel for the live-action Rurouni Kenshin film began streaming the "'Kenshin' ni Nikutai ga Yadotta Hi ~Eiga Kantoku Ōtomo Keishi no Sekai~" (The Day "Kenshin" Was Given a Body: The World of Film Director Keishi Ōtomo) video on Tuesday. The video profiles Ōtomo's work through behind-the-scenes footage and interviews with the cast and crew.
Not only did Ōtomo direct Takeru Satoh (Kamen Rider Den-O, Rookies, Beck) in the film's titular role, but the two also worked together in another live-action historical period piece, Ryōmaden.
Emi Takei (Kyō, Koi o Hajimemasu, For Love's Sake/Ai to Makoto) plays the heroine Kaoru Kamiya. Keishi Ōtomo is directing this period drama film after working with Satoh on Ryōmaden. Yuu Aoi (Hana and Alice, Honey and Clover) plays Megumi Takani, Munetaka Aoki (The Last Message Umizaru, live-action The Girl Who Leapt Through Time) plays Sanosuke Sagara, and Taketo Tanaka plays Yahiko Myōjin. Hajime Saitō (Shonan Bakusozoku and Tokyo Love Story's Yosuke Eguchi), Kouji Kikkawa (Let's Dance With Papa) as Jine Udō, and Teruyuki Kagawa (From Up On Poppy Hill, 20th Century Boys) as Kanryū Takeda round out the cast.
Takeru Satoh shows off his moves as title samurai in August 25 film
Almost five minutes of behind-the-scenes footage from the live-action film adaptation of Nobuhiro Watsuki's Rurouni Kenshin manga ran on Japanese television. The video features 22-year-old actor Takeru Satoh (Kamen Rider Den-O, Rookies, Beck, Ryōmaden) practicing his moves as the titular samurai. 17-year-old actress Emi Takei also appears the heroine Kaoru Kamiya.
Yuu Aoi (Hana and Alice, Honey and Clover) plays Megumi Takani, Munetaka Aoki (The Last Message Umizaru, live-action The Girl Who Leapt Through Time) plays Sanosuke Sagara, and Taketo Tanaka plays Yahiko Myōjin. Kouji Kikkawa (Let's Dance With Papa) as Jine Udō, Yosuke Eguchi (Shonan Bakusozoku, Tokyo Love Story) as Hajime Saitō, and Teruyuki Kagawa (From Up On Poppy Hill, 20th Century Boys) as Kanryū Takeda round out the cast.
Last month, TokyohivereportedKanjani8 will star in their first movie ‘Eight Ranger’, a Sentai parody corner performed at their concerts.
The movie is scheduled to hit the theater on July 28th, and their trailer was released on April 4th. In the trailer, 7 costumed members make up “Eight Ranger”. The theme song by Kanjani8 is titled, “ER” (Eight Ranger).
Garo – Makai Senki may have just come to an end, but it’s not the end of the legacy just yet, a teaser trailer of the new movie has been unveiled on the official website, entitled Garo – Soukoku No Maryu (Dragon of the Blue Cry).
The main actors and Keita Amemiya announced the news at the International Anime Fair 2012 in Tokyo today, to much of a roar from the crowd. Originally Keita had planned to do spin offs with different characters, but decided after Maki Sentai to continue Kougas story. The translated text from the teaser below:
Takeru Satoh stars as title samurai in Keishi Ōtomo, Warner's August 25 film
The Japanese website Cinema Today began streaming the second teaser trailer for the live-action film adaptation of Nobuhiro Watsuki's Rurouni Kenshin manga on Tuesday.
The same footage was previewed on the ZIP! morning television program last Wednesday. According to one of the ZIP! hosts and Cinema Today, production on four versions of this newest trailer with English, Chinese, French, and Spanish subtitles has been approved.
The same footage was previewed on the ZIP! morning television program last Wednesday. According to one of the ZIP!
hosts and Cinema Today, production on four versions of this newest
trailer with English, Chinese, French, and Spanish subtitles has been
approved.
Keishi Ōtomo is directing this samurai film with 22-year-old actor Takeru Satoh (Kamen Rider Den-O, Rookies, Beck, Ryōmaden) as the titular character. 17-year-old actress Emi Takei plays the heroine Kaoru Kamiya. Yuu Aoi (Hana and Alice, Honey and Clover) plays Megumi Takani, Munetaka Aoki (The Last Message Umizaru, live-action The Girl Who Leapt Through Time) plays Sanosuke Sagara, and Taketo Tanaka plays Yahiko Myōjin. Kouji Kikkawa (Let's Dance With Papa) as Jine Udō, Yosuke Eguchi (Shonan Bakusozoku, Tokyo Love Story) as Hajime Saitō, and Teruyuki Kagawa (From Up On Poppy Hill, 20th Century Boys) as Kanryū Takeda round out the cast.
The film will open in Japan on August 25. Warner Brothers Japan streamed a previous teaser trailer for the film last December. That earlier teaser received hits from 136 different countries on the film's official site.
The poster for the live-action film, “Rurouni Kenshin“, has finally been revealed!
The black-and-white photo was taken by Kurigami Kazumi, a renowned photographer who has won many awards. It was taken to convey the ‘hidden madness’ of the protagonist ‘Kenshin’, a former assassin who vows not to kill anyone after experiencing a personal trauma.
“Rurouni Kenshin” will open in theaters on August 25th. It stars a gorgeous line-up of actors and actresses including Sato Takeru, Takei Emi, Aoi Yu, and Kikkawa Koji.
Additionally, the new series of “Rurouni Kenshin -Meiji Kenyaku Romantan-” will start its serialization in the June issue of manga magazine, “Jump Square“.